Puff Daddy The Saga Continues... Zip
And they're doing so while still reeling from the loss of The Notorious B.I.G., one of the best rappers of all time (although even that is based on the fact that we never got to hear Biggie flounder and pick up cameos on inferior artists' projects, but that's a subject for another time). And you have to admit, you have liked (or even loved) some of what the label has released, and at least three of those things include a co-starring role for Sean “Puffy” Combs. So get over yourselves, and actually try listening to the goddamn album. If you hate it after the fact, that's on you, but at least your opinion will be much more informed.
The Saga Continues. Is the third studio album released by American hip-hop artist P. Diddy & The Bad Boy Family on July 10, 2001 in North America. The album was eventually certified Platinum. Puff Daddy - Forever (1999).zip - VK.
Puff Daddy teams up with The Neptunes (who both receive the 'featuring' credit even though only Pharrell actually speaks on here) because he could easily afford them, and also because they were very popular at the time. From Pharrell and Chad's perspective, this is a swing and a miss, thanks to a beat that is repetitive and a Skateboard P hook that is pretty fucking stupid. But for our host, it's actually not a bad performance, as whoever wrote these rhymes for him was clearly excited at the prospect of reaching a wider audience, which it did, briefly, because The Neptunes. “Diddy” (which should be stylized as “D-I-D-D-Y”, technically) runs through his bars with ease, even burning through the controversial “got Asian women who change my linen” stereotype without breaking a racist sweat. Still, that beat is very annoying, and it's incredibly difficult to look past it.
, he raps about experiencing the drive-by shooting that happened in, California, which took The Notorious B.I.G.' The album was originally called Puff Daddy & The Goodfellas, then slated to be titled Hell Up in Harlem, but following the death of The Notorious B.I.G., he decided to switch the album's title to No Way Out. As discussed in ' Unbelievable: The Life, Death, and Afterlife of The Notorious B.I.G.' By Cheo Hodari Coker, the weight of the and the accompanying threats had taken its toll on Combs and those around him. It was decided that they needed to get away and become focused on making hits.
Fuck that guy. Who calls themselves “Loon”, anyway?
I'm being serious: after two albums featuring the likes of The Notorious B.I.G., Ma$e, The Lox, and other A-listers, Sean Combs is forced to reintroduce both himself and his label, reciting mission statements and platitudes alongside names not quite as likely to garner as much interest as those I gave above. Thanks to the sample from The Alan Parsons Project's “Sirius”, “The Saga Continues” is a blatant bid to incite excitement at the mere presence of.um, Black Robert (who sounds okay), Ma$e's former friend Loon (who doesn't), and current correctional facility resident G. Dep (formerly of the Gang Starr Foundation, which is a true fact)? Maybe they're getting ready to make it rain threes, too? (You'd have to hear the song to understand what I'm trying to say there.) It's really bad when you hear the host try to talk himself into believing that the new roster is better than Bad Boy ever had been.
« Wanna Move » (featuring Big Boi, Ciara & Scar) Danja, Big Boi 5:18 9. « Diddy Rock » (featuring Timbaland, Shawnna &Twista) Danja 5:12 10.
There's no contest. Puffy's empire was at least partially built from sampling well-known songs to create his own hits, and the most blatant theft on occurs on the Faith Evans and Carl Thomas duet “Can't Believe”, which, improbably, takes place over the beat Dr.
July 1, 2012. Retrieved June 6, 2018. July 1, 1997.
Puffy finds himself being propped up (for the most part, except when forced to carry a track himself) by Robbie, G. Dep (who somehow turned sounding preoccupied into a short-lived rap career), Loon, Kain, and everyone else who I can't be bothered to name because they don't really exist, and these are not the strongest supports for his body weight. Admittedly, some of the beats veer off into interesting directions, but a good majority of them are stuck in neutral, a gear Puffy is used to thanks to his obsession with radio airplay, and the general non-offensiveness of it all turns into almost naked hatred for the audience, since Sean is convinced that he can do whatever he wants without consequence. This is the guy who once attacked Steve Stoute with a broken bottle, mind you, and never mind that whole thing about the club shooting. Anyway, this was a roundabout way of saying that this album sucks, but it was nice to get back to writing, which is why this is much longer than it deserves to be. You're welcome.
I Need A Girl (To Bella) (P. Diddy, Loon, Mario Winans, Lo & Jack) (4:12) 19. Nothing’s Gonna Stop Me Now (Interlude) (Faith Evans, Mario Winans & P. Diddy) (2:24) 20. If You Want This Money (P. Dep & The Hoodfellaz) (4:00) 21.
And the mysterious “Marsha” in the credits is actually the once-ubiquitous Marsha Ambrosius, of Floetry and rap song hook fame, if you're so inclined. A posse cut-as-a-cheesy-action-flick is certainly not a bad idea, and the instrumental (credited to Mario Winans, something called “The Natural”, and Puff himself) actually matches the alleged mood as much as possible, but “Where's Sean” might have worked a bit better if Puffy weren't so dependent on newbies to carry his legacy on their shoulders. I mean, seriously, what the fuck is a Big Azz Ko? Nobody knows. Can you imagine what this could have sounded like had Sean come up with this same idea during the days of Biggie and The Lox?
Ad-libs aside, Puffy doesn't appear on “Blast Off”, the first time he takes a break on So with the inmates running the asylum, Deppy, Curry, and Loon waste an already-too-noisy production with pedantic boasts and threats that lead nowhere. Mike “Punch” Harper's work behind the boards recalls a time when Rockwilder was considered what one would call a “popular producer” whose bleeps and bloops extended further than he could ever imagine, and trust me, Rockwilder is not the guy you should be emulating in this here game. At least Black Robert dodged a bullet by skipping out on this weed-carrying shitstorm. Memphis stalwarts Eightball and MJG were still relatively new to the Bad Boy family back in 2001, so since they already had a built-in fanbase thanks to their work on the Suave House label, it was a foregone conclusion that they would pop up on in some capacity.
Friend (Feat. Foxy Brown) 06:41 15. Senorita 04:11 16. I'll Be Missing You (Feat. Faith Evans & 112) 05:48 17.
Came during a time of reconstruction. Is Puffy's third album, although his debut, No Way Out (which featured the masterful Biggie and Busta Rhymes-featured “Victory” and “It's All About The Benjamins (Remix)”, which I still hear once a week on Sirius XM's Backspin and never fails to brighten my mood), was credited to Puff Daddy & The Family, and the follow-up, Forever, is assigned to Sean only.
Track listing [ ] # Title Length Featured artists Producer(s) Samples 1 'The Saga Continues (Intro)' 3:52, & Yago, & for The Hitmen • ' by 2 ' 4:13 Black Rob & Mark Curry Megahertz 3 'Toe Game (Interlude)' 1:06 Black Rob 4 'That's Crazy' 4:07 G-Dep & Black Rob Aydine, Mario Winans & P. Diddy for The Hitmen • 'I Can Read Between The Lines' by 5 'Let's Get It' 4:16 G-Dep & Black Rob Yogi & Mario Winans • ' by 6 'Shiny Suit Man (Interlude)' 1:06 7 'Diddy' 3:55 The Neptunes • ' by • ' by 8 'Blast Off' 3:41 G-Dep, Mark Curry & Loon Mike 'Punch' Harper 9 'Airport (Interlude)' 0:28 10 'Roll With Me' 4:53 & Spike & Jamal • 'One Thousand Finger Man' by J. Camero 11 'On Top' 3:58 Loon & Marsha Morrison Mario Winans, P. Diddy & Steven 'Loss Spirits' Dorsain 12 'Where's Sean?' 5:06 Big Azz Ko, Black Rob, Kain, Loon, Mark Curry & Bristal Mario Winans, P. Diddy & 'The Natural' • ' by The James Last Band 13 'Child of the Ghetto' 3:43 G-Dep Coptic & D.
« Wanna Move » (featuring Big Boi, Ciara & Scar) Danja, Big Boi 5:18 9. « Diddy Rock » (featuring Timbaland, Shawnna &Twista) Danja 5:12 10. « Claim My Place » (Interlude) (featuring Avant) Rob Lewis 3:25 11. « Everything I Love » (featuring Nas & Cee-Lo Green) Kanye West 4:23 12. « Special Feelin' » (featuring Mika Lett) Diddy for The Hitmen,will.i.am 4:25 13. « Crazy Thang » (Interlude) (featuring Sarah Rosete) Rob Lewis 1:15 14.
• Strauss, Neil (January 7, 1998). The New York Times. The New York Times Company. Retrieved 16 July 2011. Archived from on February 10, 2010.
The Saga Continues Torrent
• (in German). Retrieved September 8, 2016. Select albums in the Format field. Select Gold in the Certification field. Enter No Way Out in the search field and then press Enter. If necessary, click Advanced, then click Format, then select Album, then click SEARCH External links [ ] • – P Diddy Lyrics.
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(I'm aware that there's an official remix of “Bad Boy For Life” featuring Busta Rhymes and M.O.P., an artist and a group, respectively, who are not affiliated in any way with Bad Boy Records, so their participation makes very little fucking sense, but that collaboration appears on another project, one that will probably eventually make its way to my pile, so I'll hold off on commenting until then.). Black Rob's first bar is the same as it was when he kicked off “Whoa!” (a song that still works today, quit lying to yourselves), making it very clear for those of you who can't pick up subtle hints that “That's Crazy” is intended as a spiritual sequel, if not just a rip-off. The titular phrase punctuates every single goddamn bar, whether the preceding words spoken by Puffy, Robbie, or G. Dep could be considered crazy or not. Our host sounds like he's addressing the infamous club shooting where Shyne took the fall while he walked away without a scratch, but he quickly shifts the subject and starts talking about himself, and as such, I didn't give a shit. Dep's line, “I got a mil when I signed my deal” is funnier if you imagine him saying, “I got a meal when I signed my deal”, but for reasons I don't feel like transcribing here. Oh, and this song sucks.
Can't Nobody Hold Me Down (Feat.
Furthermore, the music video for ' was one of the made. The song titled 'No Way Out' performed by Puff Daddy, appeared on the soundtrack for the film (1997), but is not included on this album. Critical and commercial performance [ ] Professional ratings Review scores Source Rating C+ 7.8/10 Upon its release, No Way Out was a significant commercial success, particularly in the United States where it reached number one on the in its first week, selling 561,000 copies. It also produced five commercially successful singles, the most successful of these being the worldwide hit ', a tribute song aimed at The Notorious B.I.G., which became the first rap song ever to debut at number one on the, and remained at the top of the chart for 11 consecutive weeks, whilst topping several other charts worldwide. The other four singles, the hits ', ', ' and ', were also commercially successful, and all except the latter peaked in the top two positions of the Billboard Hot 100. On September 7, 2000, the album was certified septuple platinum by the for sales of 7,000,000+ copies in the United States: to date, it remains Combs' most commercially successful album.
It's All About The Benjamins (Feat. The Notorious B.I.G. & Lil' Kim 04:42 11. Pain 05:12 12. 
Is This The End (Feat.
Puff Daddy The Saga Continues Torrent
« Hold Up » (featuring Angela Hunte) SC, Havoc (co.) 3:29 6. « Come to Me » (featuring Nicole Scherzinger) Diddy, Younglord for The Hitmen, Jai 4:36 7. « Tell Me » (featuring Christina Aguilera) Just Blaze 4:06 8.
Retrieved 2012-03-03. • Stanley, Leo. Retrieved 2017-08-24. • (1997-08-08).. Retrieved 2017-08-24. • Pearce, Sheldon (2017-03-09). Retrieved 2017-08-24.
Accolades [ ] In the United States, the album topped on the, with 561,000 copies sold in the first week. The album topped music charts worldwide for 24 non-consecutive weeks. In 1998, No Way Out would win the for the Best Rap Album. On September 7, 2000, the album was certified seven-times platinum by the (RIAA). In 1997, among the ten songs that reached at number one on the Billboard Hot 100 list, four of them belonged to Bad Boy Records. The album spawned two Billboard Hot 100 number-one singles – ' and ' – and the 'number 2' singles ' and '.
The album spawned two Billboard Hot 100 number-one singles – ' and ' – and the 'number 2' singles ' and '. The longest reign of the label's four hits was this single 'I'll Be Missing You', which topped the charts for 11 weeks. The melody for 'I'll Be Missing You' is sampled from 's 1983 hit '.
That's his name in the liner notes and everything! For what it is, not bad, but don't expect much out of this.
Thank You (0:34) Password to the archive: hiphoplossless.
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Call the girlfriend, wifey, or whatever, and let 'em know that you're not gonna be around for a few weeks. We're gonna get away from all this drama, put our heads together, and when we come back, we’re coming back with hits.' The material would later be used on No Way Out, and other Bad Boy albums from 1997 to 1999. Accolades [ ] In the United States, the album topped on the, with 561,000 copies sold in the first week.
Its singles « Come to Me » and « Last Night » both reached the top–ten of the Billboard Hot 100. The album became available to preview on MTV’s The Leak on October 10, 2006, one week before being sold in stores. [12] Press Play received generally mixed to positive reviews from music critics. [13] As of November 21, 2008, the album has sold 700,000 copies in the United States. Track listing No. Title Producer(s) Length 1.
Retrieved June 6, 2018. July 1, 1997. Retrieved June 6, 2018. Retrieved 16 July 2011. Retrieved 17 July 2011. Retrieved 17 July 2011.
Trotman 14 'Incomplete (Interlude)' 0:58 15 'So Complete' 3:37 Cheri Dennis, P. Diddy & Mario Winans for The Hitmen • 'Like Running Water' by C. Reid 16 'Smoke (Interlude)' 0:16 17 'Lonely' 3:59 Mark Curry, Kain & Mario Winans & P. Diddy for The Hitmen 18 'I Need a Girl (To Bella)' 4:12 Loon, Lo & Jack & Mario Winans Coptic 19 'Nothing's Gonna Stop Me Now (Interlude)' 2:24 Faith Evans & Mario Winans • 'Memories Are That Way' by 20 'If You Want This Money' 3:59 G-Dep & The HoodFellaz Yogi • ' by 21 'I Don't Like That (Interlude)' 1:04 Bristal & Mark Curry 22 'Back For Good Now' 4:26 Cheri Dennis, Black Rob & Loon The Natural • 'The Children of Sanchez' by • 'Jam on the Groove' by • 'Top Billin' by • 'I Got It Made' by 23 'Can't Believe' 3:49 Faith Evans & Mario Winans & P. Diddy for The Hitmen • ' by 24 'The Last Song' 3:50 Mark Curry, Big Azz Ko & Loon 25 'Thank You (Outro)' 0:34 Singles [ ] • ' • ' • 'Let's Get It' • 'I Need a Girl (To Bella)' • Released in the form of two remixes: '(Pt.
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