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1. Sony Slog 2 Lut
2. Sony Slog2 Lut Rec 709

Definitive SLog3.cine LUT workflow? - Sony's Community Site. Has the best Slog3 and Slog2 to rec709 converting LUT I have seen so far. Like Show 0 Likes. Added new updated format LUTS, Orange & Teal versions of all LUTs, Cine4, Slog2 & Slog3. Added Gamma Curves and Roll Off together with Sony DELUTS Primary Master Gamut. Use these as the first lut in the chain or add to Techinal in Premiere. Matrix mapping base on ARRI Alexa also helps bring colours into uniform with DELUTS Universe products.

Just don’t expect it to make 8 bit behave like 10 bit. ACES is very processor intensive and adds a film type roll-off by default. This may be what you want, but it’s really designed for cinema projection and is not always the best for video that will be shown on a TV or monitor. I prefer DaVinci Colour managed as it is more flexible and less processor intensive.

I don’t know what is going on under the hood of CC 2015, so I’m not sure why the LUT behaviour is different when they are used as input LUT’s or Looks. In theory the behaviour should be the same in both cases. The only thing I can think of is that when used as an input LUT the further adjustments happen after the LUT so are less critical, while if the LUT is used as a look, the corrections are before the LUT where they may be more critical as you are in effect altering the S-log to something other than S-log before it hits the LUT. – time spent on learning grading and setting my alpha a7ii just right is going straight up). Q1: i presume when you discuss s-log2 you mean s-log2 in combination with colormode: s-gamut!

Would love to know some others. Roses wrote: Charles Hull wrote: I'm looking for the best LUTs for the A7RII Slog2 profile. Right now I'd like a good video look, not a film look, with a LUT that gets close enough to minimize color editing. And something that gives good editing control at the top and bottom ends. So far I get the best results with Alister Chapman's basic AC_A7S_709_.cube or his AC_A7S_709800.cube.

I've tried James Miller's 'Hyde Park' and his other Sony LUTs but they seem too dark and washed out for me. Has anyone found something else they really like and recommend? What program do you use to edit your a7RII videos? Davinci Resolve? I'm guessing you're shooting 'picture profile 7' slog profile?

You’re sitting at the theater watching the latest Michael Bay film when you realize, “I wish my wedding films had an over-saturated bride and groom fighting giant robots!” Well I have good news for you, I can help with one of those things. And no, its not CGI giant robots, you’ll have to learn Cinema4D for that.

Thanks for the links. Category: Views: 93 Time:2013-03-04.

The Auto-focus is fun to work with pretty much does what the a7s ii can do (except in low light situations) it does start to overheat in 24P S35 mode but the camera was still shooting with no artifacts. I just turn it off when I’m in between shots works fine but hey, you’re getting 6K to 4K clips!

In fact I just finished shot on an RX100m4 where all the realtime day shots were slog2. The RX100m4 shoots the same 100mbps 8-bit 4:2:0 codec in 4k as the A7Rii, and after the grade the daytime shots aren't awful, just not as good as they could have looked. If I could do it again though, I would shoot the rec709 profile as much as possible. Most paid LUT packs will include both rec709 and generic LOG versions of each LUT anyways, so it's still simple enough to roughly match your graded clips in post. If you're just getting into video learning coloring 1st might be a bit much at this point but seeing as though you have the background maybe not.

Right now I'd like a good video look, not a film look, with a LUT that gets close enough to minimize color editing. And something that gives good editing control at the top and bottom ends. So far I get the best results with Alister Chapman's basic AC_A7S_709_.cube or his AC_A7S_709800.cube. I've tried James Miller's 'Hyde Park' and his other Sony LUTs but they seem too dark and washed out for me. Has anyone found something else they really like and recommend? I have use DaVinci to create a LUT and then import it in FCPX.

Standard gammas roll off the highlights through the use of a knee or similar. With standard gammas we know not to over expose because the highlight roll-off looks bad. With log gamma it is the opposite, we should never under expose because the shadow roll off will make it look bad. Because there is no highlight roll off, because the amount of data in the shadows doubles (for the same scene information) for every stop you expose brighter, because the signal to noise ratio improves by 6db for each stop brighter you expose, log will almost always look considerably better when exposed brighter by between 1 and 2 stops.

I prefer DaVinci Colour managed as it is more flexible and less processor intensive. Use the gamma curve that works best for your particular application and workflow.

Absolutely not suitable for comedies. Look at 2383 Well-known Print Film look. Typically, after applying most of the other 2383 LUTs, you should to deal with yellowish greenery and decreased or increased saturation using hue vs hue, hue vs sat curves, RGB mixer or 3×3 matrix. Using this LUT you don’t need to do this steps. 5219 2383 Common combination of the 5219 film stock and 2383 print film.

And you designed the LUTS for that combination. Q2: what would be the benefit of using S-log2 on an A7ii (not A7Sii) when it is only 8bit recorded. (Somewhere you point out it is designed for 10 or 12 bit 4.2.2. Or 4.4.4 recording) Q3: what would be an alternative color mode combination for s-log2 on the A7ii: using the cinegamma, pro or rec709 color mode?

Sony Slog 2 Lut

Has anyone found something else they really like and recommend? On A7s S-LOG files forget about LUT's and learn how to use Davinci Resolve. LUT's are OK for a quick way to preview footage but they are generally too crude with 8bit S-LOG footage and or are designed to give you a 'hipster' look. Resolve is quite simply the best grading tool out there for A7s footage as amongst other things it lets you adjust tones just in the luminance ( Y) channel without it effecting the colours which greatly helps in achieving natural looking grades and good skin tones. Even the latest Luminetri colour control in Premier Pro doesn't grade A7s footage very well although you may find that PP is a better editing software but you can 'round trip' between PP and resolve quite easily. I use PP to edit and Resolve to grade. If you must use LUT's check out 'Casey Wilson' Davinci Resolve looks amazing but has a huge learning curve.

Log is the opposite of standard gamma. Log gamma rolls off the shadows, not the highlights.

You can always shoot 30P UHD which is like a 1.9x or 2.3x crop with no binning or skipping just crops part of the sensor and reads 1 to 1 from that crop. Much less rolling shutter issues u can right away see that in the viewfinder.

Sony Slog2 Lut Rec 709

Alistair Chapmans LUTs. They are based on the Slog 2 in the Sony A7s. They seem ok as a start. Once you 'plug in' the LUT you can then grade to achieve the look you want in Vegas (color wheels, white balance, etc.).

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